Work in Progress:
Pelicans, Update 1
Pelicans
are interesting birds. Their very distinctive beaks make them one of the most
recognizable aquatic birds around. On recent trips to Tarpon Springs, Amelia
Island and Canaveral National Seashore I found them to be one of the more
ubiquitous birds on the water. They look so at home either gliding along the
beach, just above the surf, or floating about in the harbor amongst boats. I
managed to get some photos of them doing both. I liked the photo of a pair of
brown pelicans casually paddling about Tarpon Springs harbor and felt the
combination of the birds and the dancing colors and reflections on the surrounding
water would make a nice painting. Its simple nature had a quieting effect on me
and I wanted to convey that in the painting.
This will
be a pastel painting and, because I want to do an underpainting in watercolor,
I’m going to do this painting on Arches 300 lb watercolor paper. The roughness
of the paper should allow for a number of layers of pastel. The size I’ve
decided on is 16” by 12” high – a horizontal format.
The first
task was to decide on a composition. I thought I might try three birds in the
painting but after a few sketches I decided that two birds worked best. I liked
the relationship of the two birds in the photo, one broadside and paddling
right to left, and the other nearly facing away from me, paddling toward the
first. This difference in poses added some interest.
The
multitude of reflections on the surface of the water seemed a bit too busy for
me so I decided to reduce the complexity. I wanted some wave action but not
quite as much as in the photo. This is to be a simple composition with only two
elements – the birds and the water. Since the birds were the subject, I want
them to be large enough to easily draw the viewer’s eye. The water would in a
supporting role.
The next
task was to work up some value sketches. The birds, with their white necks and
yellow coloring on their heads, would be the highest values and make them stand
out. The water would be a middle tone. Rather than have this mid tone go all
the way to the top of the painting, I felt grading the tone gradually from mid
to dark would balance better. I think the dark above also helps to draw more
attention to the pelicans. Although the darkness is there, it does not draw
attention away from the birds.
The last
task in this preliminary stage is the color sketches. It is important that the
values of the colors agree with the value sketch. As for color, the colors in
the photos ranged from gray to blue. I wanted to steer away from gray, so I
tried one sketch with blue. The color seemed to compete with the birds. In a
second color sketch I added more greens into the mix and reduced the blue. The
water became more neutral. I liked that better.
With the
compositional, value and color sketches done I am now ready to start the
finished painting.
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