This is the first in a series of Work in Progress Updates on
my new painting project, an architectural rendering of the Seven Sisters Inn in
Ocala, Florida
First, some interesting history.
The Rheinauer House, better known as the Seven Sisters Inn, a
Bed and Breakfast in the historic district of Ocala, Florida, dates back to 1895. Charles
Rheinauer, born March 5 1846, the builder and original owner of the house,
emigrated to Georgia from Germany as a
young man. He married Emma Hohenberg in Watumpka,
Alabama in 1890 and soon after they moved to Ocala, Florida.
He and his brother, Maurice, set up a dry goods business on the south side of
the town square. The men’s and women’s apparel sold in the store became so
popular that the business expanded statewide into a clothing chain that lasted
into the 1990s.
Charles
Rheinauer also served as the Vice President of the Ocala Iron and Machine Works
and was the founder of the Ocala Board of Trade. Notably, he was instrumental
in the introduction of Thomas Edison’s incandescent electric lamp into the
community. In 1906 Rheinauer served as Mayor of Ocala.
Rheinauer’s
friendship with Latin American freedom fighter Jose Marti led to a partnership
that started the La Criolla Cigar Company with Rheinauer as President.
Immigration of large numbers of Cubans to the Florida
peninsula provided workers for the factory which eventually became the center
of a Latin American Community known as Marti City.
By late in the 19th century La Criolla was one of the largest cigar
factories in Florida.
It eventually re-located to Tampa in what is now
Ybor City.
Charles and
Emma moved into the Gothic Victorian House around 1895 and both remained there
until their deaths, Charles in 1925 and Emma in 1942. Both are buried nearby in
the city. The House now serves as a Bed and Breakfast and is said to be
haunted, which makes for an interesting overnight stay.
The House
is one of the most noticeable in the historic district. The variety of blue
colors adorning it set it apart from all those around it, which is why I was so
attracted to it in the first place. I photographed it from a number of angles
but found the one that included the large Live Oak at the end of the driveway to
be the one to use for the painting. The low hanging limbs frame the House from
one side and overhead. The trees on the other side and the shrubs in the front
also help to frame the House. Shown here is the pencil drawing of the House
that I started along with the photo that serves as the basis for the painting.
The painting, 16” by 12”, will be done in watercolor on Arches 140 lb
watercolor paper. I’ll try to post once a week on its progress, going through
at first preliminary tonal and color sketches, then on to the painting.
No comments:
Post a Comment